Welcome March



iPad sketch (Sketchpad)

I make at least four quick sketches a day in this simple app; I usually don't save them or publish them on my blog. 

February was not a great month so I welcome March (even the Ides). 

Still Standing--oil painting



Still Standing, oil (alkyd) on linen, 12x12

Since it was cold and icy, I slid out to my studio for the last couple of days.  This tree is down by my dock; I always stare up at it for a while before walking back up to the house.  I don't know if it's still alive--it's surrounded by other trees and I can't tell if there's any green at the very top; there's none on the lower branches.  I thought it was a cedar; now I'm not sure--the trunk is rather hairy.  I painted this from memory; the photo is a bit different.  I like that this is stark naked against the cold sky.

Maybe I should title it reforestation.  

Sketches for Still Standing

During the past year, I've thought of the tree often.  I like the one on the left--Crayola crayons on card stock.  Top right is hydrus watercolor, and lower right is, I believe, oil (it was painted from the photo). 

Inktense Pencils and Hydrus Watercolors



Low Lake Level in the Cove, inktense pencils on clayboard, 5x7

Like everyone else, I hate finishing and framing.  Two of my paintings--The Blue Man and Caution--were finished some time ago and just sitting on my easels.  I've read that watercolors on Ampersand aquaboard can be varnished and framed without glass, but what about inktense pencils or hydrus watercolors on aquaboard?  I decided to test with this small drawing of maybe a willow tree behind my neighbor's house (sometimes it's in the water--sometimes not).  This is from a photo I took as Willie and I checked out the cove; I liked the colors--the orange and yellow parts are usually filled with blue water.

A Walk IN the Cove January 2013, photo

Two weeks ago we actually walked IN the cove behind my house (though I do have a fear of quicksand); it was 70 degrees that afternoon and not much water--my dock was on dirt.  I looked for arrowheads and found a couple of smooth round rocks.  I considered taking my metal detector down but it rained the following day--and for several more days.  The Lake's back--and it's a 50,000-acre one.  I can see the water from my upstairs window and I don't need to walk down; the weather has turned cold.

Hot Feet, hydrus watercolor on clayboard, 6x6

Just a sketch to test the varnish.  I suppose I could have just painted squares or lines but what fun would that have been? 

Okay, today I gave everything several coats of varnish.  I set up a varnishing station in the workshop bathroom--covered the toilet with large pieces of cardboard and turned on the exhaust fan--ran in and sprayed; ran to the porch door and breathed.  Nothing disappeared and it passed my Q tip test--dipped it into water, then rubbed the painting--no color came off and no lines were smeared.  I used Golden archival satin varnish.  

2013



Graphite and Pigma Pen in Moleskin Sketchbook

I survived the Holidays and spent yesterday taking down and storing my few decorations, changing the whole-house water filter, then making my black-eyed peas and collard greens soup for today's good-luck meal.  I was determined to spend New Year's Day in the studio/workshop but first I in my down coat had to get through all the junk in order to turn on the heat.  While getting organized I came across this sketchbook--first sketch is from March 2010 and the next from June 2011.  This is only the third, and pencil to paper was fun--forget cleaning. 

I usually don't make resolutions; they don't last, and I'm sure this one won't.  Can you tell I had taken Willie for a walk earlier?  Actually, this Food Lion bag is from my car--contains snacks--peanut butter cookies and an energy bar.

Happy New Year.

Holidays



Wishing you perfect Holidays
and a wonderful New Year!

This is my 2012 card and was painted with Procreate on my iPad.  This was my fifth idea for a card; I liked No. 4 but accidentally deleted it when it was almost finished (which is not easy to do).  Once this reindeer painting was finished I got a cardshop app--nothing as exciting as having a deadline and learning new stuff.  There was no grid for layout; just a tiny piece of ruler across the top of the card showing inches and FIFTHS of inches.  Fifths?  I'm accustomed to eighths.  My only way to check placement was to print one.  Print?  I had never printed from my iPad, and my Canon printer is not one of those compatible with Apple's airprint.

Luckily, the cardshop app has the option of sending a PDF by email.  That worked, but I was unable to print from the PDF reader on my desktop.  So I emailed it to the laptop in the dining room; from there I could send it to the printer in the computer room.  A solution at last.  I printed 75; none were upside-down and the inside greeting was in the right place.  I folded, signed, wrote some personal notes, addressed and stamped the envelopes, and got the cards in the mail yesterday.  I can check that off my list--and my fruitcake has been delivered.

Now it's on to cleaning and shopping.   Perfect Holidays?  At my house that's a joke.

Merry Christmas! 

Chihuly Exhibit at VMFA



Organic Vase, created with Procreate on iPad

Last Friday I visited the Chihuly Exhibit at Virginia Museum of Fine Arts in Richmond VA.  I left my camera in the car so I have no photos.  Instead, here's a Chihuly-inspired iPad painting of a red vase I bought at Mr. Harris' yard sale.  I painted without actually looking at the vase, and imagined it melting and changing forms, being displayed on a mirrored surface like Chihuly's works.  (And, yes, this looks a bit like an internal organ; I guess it's a ChiHallie.)  

Mr. Harris, Colorsoft pencils on Wallis Museum board, 9x6

My camera was in the car when I stopped at the yard sale and the light was right.  Mr. Harris said okay when I asked if I could take his photo; I told him I might want to paint it.  He's a neighbor and owner of one of the local funeral homes--a nice-looking man.  He hasn't seen this yet and it's not quite finished.




Outside VMFA, photo by S. Brooks

Here I am, outside the museum, pretending I'm holding up Chihuly's 25-foot chandelier which was hanging in the Atrium--my idea--and it took a while for the patient photographer to line this up.  Pedestrians probably wondered why I was posing like Vanna White.  My brother thought this looked like Miss Liberty with a tight grip on her pocketbook--not a bad idea for these times.

The Chihuly Exhibit was excellent--rooms filled with forms and colors and reflections.  I especially liked his Ikebana Boats and the Tobac Basket Bowls, which were displayed on huge beautiful slabs of wood. 

Small Town Drawing



Robert, Inktense pencils on hot press w/c paper, 12x9

I'm a Sunday evening regular at The Pizza Pub Restaurant/Bar here in town--so is Robert.  He's usually helping out or having a cup of coffee; and I see him outside always with his pipe.  I asked if I could take a few photos with my iPad--he obliged.  It's been a long time since I've tried portraits other than my own.  Robert liked this and, last Sunday, he walked with me through the restaurant as I showed it to the customers.

Most of you fellow bloggers live in cities where you can sketch strangers at coffee shops, but I have to brew Starbucks in my kitchen.  I live in a place where everyone knows our names (and The Pub knows my drink is unsweet iced tea) so Thank Goodness it does look like Robert.  This was not as much fun as my self portraits where I tear into myself and pounce on every wrinkle.  (Maybe I can do that with tourists or fishermen I don't know next summer.)

Hurricane Sandy looks ominous but I'm 150 miles inland from the coast; my area is not expecting much damage but we might lose our internet (that's what happened last year when Hurricane Irene hit the coast).  We think this latest hurricane is named for one of the bartenders at The Pub.

I'm now putting the Inktense pencils aside and will be trying Colorsoft pencils on different papers, then on to Polychromos pencils.  (Dick Blick had a sale so a big box was delivered to my front porch Wednesday--lots of new stuff with no instructions.)  I'll play with pencils for a while, then get back to my studio and paints.  Well.... that's my plan today.

Caution



Caution, inktense painting on aquaboard, 11x14

My son took a photo of a blackbird with attitude; in the background was one orange traffic cone.  I started with the bird and played with the rest of the painting--don't know what it means but I like it (and each time I hit the highway I run into roadwork).  Traffic cones don't actually look like this but form tops function here; rectangular bottoms would have messed up my lines.

This was done with inktense pencils/blocks; a wet paintbrush, then lifting the lights; and I worked on it for three weeks--more thinking than painting.  If I repaint with acrylic or oil, the eleven lights or reflectors (the last one is very far away) might become eggs.  I've never repeated a painting; doing it again would be a bit like copying.

I visited the Munch exhibit at N.C. Museum of Art in Raleigh--he must have enjoyed working with the same subjects time after time.  Of course, I had to buy a book about Munch and just finished reading;  his paintings linger in my mind.

Out of the Blues



Holding Back the Drought?
Speech of the Era?
Encore?

OR

Descent?
Hydrus Watercolors on Aquaboard, 12x12

I played with these watercolors--dripping, scrubbing, painting over, spraying with water, etc., until I had an underwater scene.

I can't pinpoint the source for the remainder of this painting:  I watched a Lakefest Idol contest at our local Fine Arts Center (my old elementary school), I was mesmorized by President Clinton's speech at the Democratic Convention, and my brother has a wonderful 4' tall wide-armed blue man sculpture whose eyes watch everything.  All of the above.  When I walked out of my studio a few minutes ago, I saw long hair instead of shadow in this and glimpsed Mona Lisa--made me laugh.

I've been AWOL from painting and blogging, and was gambling in Atlantic City last week (once every five years can't be considered a habit).  I picked my lucky machine at Trump's Taj Mahal and sat down to either spend my money or win a $500,000 progressive jackpot.  I was winning when a stage nearby opened their show.  LOUD music--I tried sticking my finger in my left ear and playing max with my right hand.  After an hour of deafening music and machines, I cashed out (at a profit) and went up to my room, read Vanity Fair on my iPad.  I overslept the following morning so no time for gambling--I brought most of my money back home; I guess that's a win.  I saw the Atlantic, the Boardwalk, and lots of Jonathan Livingston Seagulls.  During the 800-mile roundtrip, I saw Richmond, D.C., Baltimore, Philadelphia, Annapolis, and Amish country in southern Maryland.  My studio is now looking very inviting.     

Moonlight Does Not Become Her



Moonlight Does Not Become Her, in progress
Oil Pastel on Sennelier O/P card, 18x22



I've been away from painting and blogging for almost a month.  I have managed to make it to my Painting-at-the-Y on Thursdays where I attack my paper with oil pastels.  When I'm in this mood I use myself as a model; I'm not quite finished with the cigarette and reflections on eyeglasses.

I will add this to my PWTO series (Painting While Ticked Off).  I like it!  Now I feel better.