Inktense Pencils and Hydrus Watercolors



Low Lake Level in the Cove, inktense pencils on clayboard, 5x7

Like everyone else, I hate finishing and framing.  Two of my paintings--The Blue Man and Caution--were finished some time ago and just sitting on my easels.  I've read that watercolors on Ampersand aquaboard can be varnished and framed without glass, but what about inktense pencils or hydrus watercolors on aquaboard?  I decided to test with this small drawing of maybe a willow tree behind my neighbor's house (sometimes it's in the water--sometimes not).  This is from a photo I took as Willie and I checked out the cove; I liked the colors--the orange and yellow parts are usually filled with blue water.

A Walk IN the Cove January 2013, photo

Two weeks ago we actually walked IN the cove behind my house (though I do have a fear of quicksand); it was 70 degrees that afternoon and not much water--my dock was on dirt.  I looked for arrowheads and found a couple of smooth round rocks.  I considered taking my metal detector down but it rained the following day--and for several more days.  The Lake's back--and it's a 50,000-acre one.  I can see the water from my upstairs window and I don't need to walk down; the weather has turned cold.

Hot Feet, hydrus watercolor on clayboard, 6x6

Just a sketch to test the varnish.  I suppose I could have just painted squares or lines but what fun would that have been? 

Okay, today I gave everything several coats of varnish.  I set up a varnishing station in the workshop bathroom--covered the toilet with large pieces of cardboard and turned on the exhaust fan--ran in and sprayed; ran to the porch door and breathed.  Nothing disappeared and it passed my Q tip test--dipped it into water, then rubbed the painting--no color came off and no lines were smeared.  I used Golden archival satin varnish.  

Small Town Drawing



Robert, Inktense pencils on hot press w/c paper, 12x9

I'm a Sunday evening regular at The Pizza Pub Restaurant/Bar here in town--so is Robert.  He's usually helping out or having a cup of coffee; and I see him outside always with his pipe.  I asked if I could take a few photos with my iPad--he obliged.  It's been a long time since I've tried portraits other than my own.  Robert liked this and, last Sunday, he walked with me through the restaurant as I showed it to the customers.

Most of you fellow bloggers live in cities where you can sketch strangers at coffee shops, but I have to brew Starbucks in my kitchen.  I live in a place where everyone knows our names (and The Pub knows my drink is unsweet iced tea) so Thank Goodness it does look like Robert.  This was not as much fun as my self portraits where I tear into myself and pounce on every wrinkle.  (Maybe I can do that with tourists or fishermen I don't know next summer.)

Hurricane Sandy looks ominous but I'm 150 miles inland from the coast; my area is not expecting much damage but we might lose our internet (that's what happened last year when Hurricane Irene hit the coast).  We think this latest hurricane is named for one of the bartenders at The Pub.

I'm now putting the Inktense pencils aside and will be trying Colorsoft pencils on different papers, then on to Polychromos pencils.  (Dick Blick had a sale so a big box was delivered to my front porch Wednesday--lots of new stuff with no instructions.)  I'll play with pencils for a while, then get back to my studio and paints.  Well.... that's my plan today.

Caution



Caution, inktense painting on aquaboard, 11x14

My son took a photo of a blackbird with attitude; in the background was one orange traffic cone.  I started with the bird and played with the rest of the painting--don't know what it means but I like it (and each time I hit the highway I run into roadwork).  Traffic cones don't actually look like this but form tops function here; rectangular bottoms would have messed up my lines.

This was done with inktense pencils/blocks; a wet paintbrush, then lifting the lights; and I worked on it for three weeks--more thinking than painting.  If I repaint with acrylic or oil, the eleven lights or reflectors (the last one is very far away) might become eggs.  I've never repeated a painting; doing it again would be a bit like copying.

I visited the Munch exhibit at N.C. Museum of Art in Raleigh--he must have enjoyed working with the same subjects time after time.  Of course, I had to buy a book about Munch and just finished reading;  his paintings linger in my mind.